|
|
| Creative Director |
| Small town girl with cosmopolitan tastes. And a taste for Cosmopolitans. Passionate about: Ink. Paper. Color. Form. Tracking. Kerning. Design. Twix. Words to design by: More important to do work that gets results than awards. |
|
|
| Chief Creative Officer |
| Language loving occasional actor and would-be athlete with a weakness for baseball and 18-year old scotch. Creative Philosophy: Words are like pictures. Except for the picture part. |
|
|
| Technology Lead |
| Has been active in Web development since it was just called "the Internet". Is equally comfortable with design, programming, photography and painting. |
|
|
Accounts Manager
|
Sandy comes to us with a strong background in administration and finance, having managed programs and projects of all shapes and sizes in a twenty-year career in education. Her duties as an administrator have given her great public contact skills, problem solving skills, and an ability to multitask in any situation. A former English teacher, Sandy sometimes still asks the other Fireflies to raise their hands when asking questions. We’re working on that.
|
|
|
| Project Manager |
| Process maven with a lust for simplicity and order. Enthralled by photography and its ability to capture a moment of light like a firefly in a jar. Excels in finding order in chaos. |
|
|
| Graphic Designer |
| Hawaii-born lawyer driven to graphic design when she realized she was kerning her legal briefs. Process: Ongoing search for synthesis of logic and art. Fallback process: Third-degree blackbelt in karate. |
|
|
| Finance Manager |
| Compulsive (in a good way) money gal with the soul of a rock star, the brain of a bookkeeper, a keen sense of the absurd and a passion for balance. Process: Cypher, enumerate, calculate, tally, analyze, reckon, balance, celebrate. |
|
|
Graphic Designer
|
| Some join the PTA, some give blood, some run for public office. Jon does none of those. But he can take vague notions, idle ramblings and unsightly scrawls on cocktail napkins and transform them into works of art––with impressive metrics, of course. |
|
